Indonesian politics
favours the bold, but for the beautiful there is always a place on the stage.
Political parties are becoming outlandishly personality
orientated with many offering up unqualified celebrities as candidates for
office, in a bid to use popularity to supplement their image.
Political parties or ‘parpol’ increasingly resemble products
whose selling point is not policy but personality, nurturing celebrity culture
popularism as advantageous to positive public perceptions.
The Indonesian version of Wikipedia even has an extensive list of
celebrity politicians who have served at all levels of government, local,
regional, and legislative.
The phenomenon has not escaped political observers in
Indonesia, who have commented for several years on celebrity politicians as a
rising phenomenon, well aware that what celebrities lack in credibility they make
up for in benefaction to party mentors.
In a recent Jakarta
Globe article Pitan Daslani wrote that candidate grooming is depressingly
absent, which leaves Indonesia with the problem of finding the suitable
candidates to fill positions in the legislature and executive.
“Political parties are mandated by law to conduct proper
civic education and groom members to fill legislative and executive
bureaucratic positions. Instead, they are simply riding on the popularity of
celebrities without even bothering to upgrade the qualities of these
vote-getters,” Daslani said.
The practice of hijacking a celebrity persona who will
project their star power onto a party reaffirms practices of clientelism and
constrains democratisation within exclusive webs of patronage.
Hiring the right actors consolidates party appeal at the
expense of democratising access.
Last year 51 celebrities were listed as legislative
candidates for the 2014 general election.
Kenawas and Fitriani, writing in The East
Asia Forum (EAF), gave three reasons for the phenomenon: weak implementation of the rule of law; ‘idol
syndrome’ or personalistic voting behaviour; and weak party
institutionalisation.
“Most parties are
catchall parties whose main priorities are to win elections and fund party
operations, rather than to establish fair and open selection and promotion
mechanisms.”
They did see it as a way however, that female politicians
could gain increased representation.
Only the pretty ones of course.
“Populism is seen
as a way of enabling political parties to fill the quota of 30 per cent women
candidates that is required under electoral law. In raw numbers, the rise of
celebrity and family-network politics has certainly increased the proportion of
women in parliament.”
Yet the fact that political entry is facilitated for VIPs, with
little experience in governance, translates across to a general
de-legitimisation of democratic processes as well as the changing nature of contemporary
political patronage.
While political dynasties are on-trend in many regions,
celebrity politics shows how votes are won legitimately through staged popularity
contests.
Parties are casting for a role rather than recruiting
meritorious political and academic representatives who have the skills and
expertise to address pressing social and economic issues.
Yet celebrities on the party frontline are not all charm and
glamour. It is risky business putting neophytes in the glare of the electorate
and celebrity politicians are prone to the sort of slip ups that come with
having little political knowledge or credibility.
Then again, when one of Indonesia’s mainstream dailies
reduces its political reporting to commentary on Joko
Widodo trying to find the bathroom at Surabaya airport, it’s clear that
catering to the lowest common denominator is not just seedy but also savvy.
The appointment of celebrities to spruik party brands
however, comes at a cost to democratisation as the focus on packaging draws
attention away from policy and at even precludes the need for it.
Instead of a marketplace of ideas where freedom of political
speech and communication produces informed citizens, politics literally becomes
a market.
Leadership positions and successful campaigns go to the
highest bidder, and a patronising distraction away from issues to instead
gravitate around personality, impoverishes an informed political community.
Aliran, or stream politics, refers to clusters of
ideologically similar groups, but due to the effects of political fragmentation,
these coalitions have been replaced by a tendency to enact more atomised
patronage networks whose diversity is represented in cults of personality as
opposed to essentialism or ideological differences.
The fragmentation of aliran politics created a gap that
fandom and personality popularism has filled, albeit with the help of mass
media.
These are the days of our lives; when strongmen are replaced
by songmen. Less game of thrones, more Indonesian idol.
Lauren is a writer and Human Rights student.
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